StarCraft 2 Beta Patch 3 Release - Third beta patch for StarCraft II is now live! The continued feedback from beta testers is greatly appreciated. Have a look at the latest changes and keep up the testing! Star. Craft II Beta Patch Notes - Patch 6. The sixth patch for SC2 has not yet been released, however the patch notes went up in the forums. Seems like there's been a bunch of general changes to Battle. In addition, we've received quite a few balance changes, including a huge nerf to the Zerg's Roaches. Thankfully, Blizzard has also fixed some big bugs, though this is not the last of 'em.. Star. Craft II Beta – Patch 6 (version 0. The latest patch notes can always be found at. Id=2. 30. 94< wbr /> 0. Patch 2. 1 - Liquipedia - The Star. Craft II Encyclopedia. SEA Release Date: January 2. NA Release Date: January 2. EU Release Date: January 2. KOR Release Date: January 2. General. Battle. net. Editor. Bug Fixes. Star. Craft II: Heart of the Swarm - Patch 2. General. Free Arcade and More. In response to Starcraft 2 Beta Patch Mirrors. Ok so even though SC2 has come out I still want to play the beta version till a suitable crack is released. StarCraft II is a real-time strategy game from Blizzard Entertainment for the PC and Mac. StarCraft II: Legacy of the Void 3.6.0 Patch Notes. StarCraft II StarLeague Season 2 Grand Finals Survival Guide. StarCraft II Beta - Patch 1 (version 0.3.14048) Balance Changes. The armor value for this unit in Fighter Mode has decreased from 1 to 0. The damage done by this unit in Fighter Mode has changed from 6 (+8. Along with the achievements, AI, and Battle.net features suspected before, a few Zerg balance. Big changes in this patch 13 have been added to StarCraft II Beta! Just to list some: custom maps now playable on Battle.net, Facebook is integrated now, 3v3. Legacy of the Void Beta Patch 2.5.5. Blizzard Entertainment 8/20/2015 466. Here are the latest changes for the StarCraft II Legacy of the Void Beta. StarCraft II Beta – Patch 6 (version 0.8.0.14593). View User Profile Send Message Posted Mar 29, 2010? The entirety of the Arcade, along with all of the maps, mods, and games found within, has been made accessible to all Star. Craft II: Starter Edition players for free. All Custom Games are now available to Starter Edition players. All three races have been unlocked for Starter Edition players. More information can be found in our Free Arcade blog. You can also check out our Free Arcade and Art Tools videos. New Extension Mods Feature. Mod developers can now create Extension Mods, which consist of parameter sets that can be published to Battle. Star. Craft II melee map. Players can apply any Extension Mod to any melee map from the Custom Games list. Please keep in mind that using this option means any unexpected changes to the mod could change or break map functionality. Added preference for obfuscating script files when publishing locked files (within File > Preferences > Battle. Please note that this does not obfuscate custom script code. The Default Map preference for testing mods can now be any map file, and is chosen using a file browser (within File > Preferences > Test Document.)Map Image Export dialog now includes buttons for copying game or editor view settings into custom settings. Trigger Module. Added setting for automatically loading trigger libraries defined within mods without requiring the map to reference it. This is found within Data > Library > Change Library ID. This defaults on for libraries created within extension mods. Data Module. Added tooltips to many enumerations in Actor Data. Bug Fixes. General. Marauders can now be properly trained in Heart of the Swarm Terran Training Stages 1 and 2. The Reaper is now properly listed as a trainable unit in Terran Training Stage 1. Fixed an inconsistency with the order in which players are displayed in Default Observer UI leaderboard tabs. Resource amounts on the Units Lost tab now properly update when a unit is killed while morphing. Player chat messages no longer persist when scrubbing through a replay. The Follow Unit Group replay function now properly follows the selected player. Romp achievements. Fixed an issue that could cause Score Screens to display an incorrect number of units trained. Suggesting an offline player to a party no longer causes a crash. The length of the Move Sounds dropdown menu under Sounds Options now matches the length of similar dropdowns. Gameplay and Races. Fixed an issue that could cause a revealed player.
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Microsoft Technet Standard 2010 English Programs Renewal--Build-to-Order sku from Microsoft. Non-cancellable and Non-returnable.--No DVD included. Clinical Practice in Differential Diagnosis in Speech and Language Pathology. Get Information about Audiology and Speech Pathology Program at. Upon completion of the Audiology and Speech Pathology program at UCF. This certificate program has been temporarily suspended effective Summer 2016. The UCF Department of Communication Sciences and Disorders (CSD) Graduate Certificate in Medical Speech-Language Pathology is designed to prepare. The UCF Department of Communication Sciences and Disorders (CSD) Graduate Certificate in Medical Speech-Language Pathology is designed to prepare speech language pathologists and students currently enrolled in the. The Communication Sciences and Disorders track in the Education PhD program is designed. SPA 7493 Advanced Studies in School Speech-Language Pathology (3. For information on general UCF graduate. The College of Nursing & Health Sciences at Florida International University offers undergraduate, graduate and doctoral degrees in nursing, physical therapy, occupational therapy, speech language pathology, athletic training. Admission to the Communication Sciences and Disorders program is granted on a. UCF Student Financial. Program Name Speech-Language Pathology and Audiology. College/School School of. Undergraduate courses in speech-language pathology and audiology provide students with a scientific background for understanding communication. Find info about UCF speech language pathology, registering in a technical degree program, and taking free practice tests online. UCF - Graduate Catalog 2. Home: Degree Programs: Description. College of Health and Public Affairs. Department of Communicative Disorders. Chair: R. Jane Lieberman, Ph. D. Graduate Program Coordinator: Thomas Mullin. HPA 2, Room 1. 01, (4. Both options are designed to provide the academic. American. Speech- Language- Hearing Association (ASHA) and licensure by the State of Florida. The second option is designed specifically for individuals. Since 1. 98. 6, the Council on Academic Accreditation of the. American Speech- Language- Hearing Association has accredited the program. Degree Offered. Master of Arts in Communicative Disorders (M. A.)The Master of Arts Program offers. Both options are designed to provide the academic. American. Speech- Language- Hearing Association (ASHA) and licensure by the State of Florida. Currently, the department admits in- field applicants (that is. Applicants who have undergraduate degrees in other fields. Out- of- field students. To. complete the prerequisite course work in three semesters, out- of- field students. The second option is designed specifically for individuals. The second option is referred to. Consortium Program and is available only to bachelor. Students admitted through this option may complete their. Typically. students enroll for 6 credit hours of course work during the fall and spring. Both the traditional master. The academic course work includes 3. Electives may be selected through one. Medical Speech- Language Pathology, Multicultural/Multilingual. Speech- Language Pathology or Child Language, or through a Generalist emphasis. Each of the special emphases targets an area. The research component of the program may be fulfilled. Students selecting the thesis option may substitute. Supervised clinical practice is an integral part of the. Communicative Disorders. It provides students with an opportunity. Students in both options complete. Communication Disorders Clinic on campus as well as half- time (6. Through these practica. American Speech- Language- Hearing. Association. Since 1. Council on Academic Accreditation of the. American Speech- Language- Hearing Association has accredited the program. Admission Requirements. Applications for admission to graduate. Master of Arts (M. A.) in Communicative Disorders degree program. A baccalaureate degree from a regionally accredited. GPA) of 3. 0 (on a 4. Graduate Record Examination (GRE) score of at least 1. GRE. In order to be considered. GRE scores. These are minimum. Three letters of recommendation, preferably from former. A letter of intent, describing background and experience. A copy of all official transcripts from previously attended. A copy of the graduate application and official GRE. International students and students. English must take the Test of English as a Foreign. Language (TOEFL) and score at least 2. Admission into the graduate program will be determined. The program in Communicative. Disorders is highly competitive. Meeting minimum university standards may not. Application Deadlines. Degree Requirements. Prerequisites. Successful applicants must have completed. Speech- Language and Hearing (Communicative Disorders) or. All students must complete Statistical. Methods II, or equivalent, and achieve a grade of . This course is a prerequisite to SPA 6. Research. in Communicative Disorders. Minimum Hours Required for M. A. Typically, the research project is connected to. Students must register for one hour. Directed Research (SPA 6. Examinations. To be considered degree candidates, students must pass a comprehensive. Beginning with the Fall 2. PRAXIS Examination in. Speech- Language Pathology will serve as the comprehensive examination for degree. Communicative Disorders and must be completed during either of. Students must submit an official notice. PRAXIS to the Coordinator of Academic Support. Department two weeks prior to graduation. Scores achieved prior to the. White Christmas Script at IMSDb. International. French scripts. WHITE CHRISTMAS . SHOT - NEAR RECREATION AREA. We can HEAR LAUGHTER and APPLAUSE from the men as a jeep. General's. car jounces along a road toward the side of the recreation. CLOSE. As it jounces along. The Adjutant. makes a gesture, as if to stop it. The General stops him. SHOT. CAPTAIN BOB WALLACE (BING CROSBY) is wearing a makeshift. Santa Claus hat and PRIVATE PHILIP DAVIS (DONALD. O'CONNOR) is in combat clothes. The Old. Man's heading back to the rear - . Carlton, and I. don't want anyone to forget it - -. The Adjutant puts out his arm to help. Toward the finish of the song, he turns. SKY - (NIGHT). CAMERA SHOOTING UP to the sky as brilliant fireworks explosion. White Christmas script at the Internet Movie Script Database. Book information and reviews for ISBN:0573695377,A Tuna Christmas by Jaston Williams. Greater Tuna is the first in a series of. Sears and Williams did command performances of both Greater Tuna and A Tuna Christmas at the White House for President. BILL POSTER OF FLORIDA SHOW - (NIGHT). Bob and Phil. THEATRE - AUDIENCE. Perhaps twenty people, photographed at a slant. FULL SHOT - BACKSTAGE. The curtain is down, the boys come off, the curtain goes up. MANAGER'S OFFICE. This is the business office of Bob and Phil. SHOT - WATERFRONT INN - BOB AND PHIL - (NIGHT). Greater Tuna Script PDF - Booksread.org. THE RETURN OF THE ORIGINAL CAST of GREATER TUNA. GREATER TUNA Page Three In December of 1994, A TUNA CHRISTMAS took. Greater Tuna Play Script downloads at Ebookinga.com - Download free pdf files,ebooks and documents - THE RETURN OF THE ORIGINAL CAST of GREATER TUNA. 10 Classic (and Contemporary) Holiday Plays and Musicals. The boys are now finishing their dinner. CLOSE SHOT - BETTY AND JUDY. On her part, Judy is not absorbed in the tickets, but is. Phil. CLOSE SHOT - BETTY AND JUDY. Betty looks from the tickets and sees that Judy is covertly. Phil. SHOT - BOOTH - BOB AND PHIL. Phil is still fingering the card. SHOT - BOB AND PHIL. Phil pretends to recognize Judy. A Tuna Christmas plot summary, character breakdowns, context and analysis, and performance video clips. Greater Tuna monologue HiThisIsCelina. Subscribe Subscribed Unsubscribe 102 102. A TUNA CHRISTMAS - Bertha and Vera - Duration: 2:59. Greater Tuna Lapel Pin $2.00. Add this to your collection and show the world you're a fan. A Tuna Christmas Magnet $2.00. SHOT - BOB AND NOVELLO. Novello evidently knows Bob. SHOT - GROUP. Novello pulls out the table to permit the girls to be seated. There's a lot of snow. St. We can make out the probation. CLOSE SHOT - BETTY AND JUDY. They are a half dozen steps ahead of the boys. SHOT - BOOTH - GROUP. Bob does not sit. He's in my. office! SHOT. STAGEHAND is setting up a record on a record- playing mechanism. We'll have to do. SHOT. As they all enter. NOVELLO'S OFFICE - MED. SHOT. Novello is with the SHERIFF and the LANDLORD. At the moment he's eating an eclair and. Novello's desk. SHOT - CAFE FLOOR. Bob and Phil stand with their backs to the audience. SHOT - CAFE FLOOR. Bob and Phil do the number. SHOT - AUDIENCE. They APPLAUD at end of number. NOVELLO'S OFFICE. We faintly HEAR the applause. SHOT - CAFE FLOOR. The boys bow themselves off, and run toward their dressing. SHOT - CORRIDOR. They hurry down the corridor, passing the office door. CLOSE SHOT - DRESSING ROOM DOOR. There is a plaque attached to the key in the lock. CAFE - (NIGHT) - SHERIFF. The Sheriff walks around the corner of the cafe, and a police. DRESSING ROOM. The Sheriff is in the room. WINDOW - POLICE CAR. Hank has thrown the door open. DRESSING ROOM. The Sheriff watches them go, pleased. SHOT - CORRIDOR. The Landlord and Novello are looking out the window at the. STATION - (NIGHT). The train is already moving as the police car arrives. LOUNGE CAR - GROUP. They all take seats in the lounge car, happy to have. TRAIN - (NIGHT). The rhythm of the wheels and the engine funnel, underscored. TRAIN. All but Phil are half dozing. SHOT - OUR GROUP - (DAY). They are bundling themselves up, coat collars tight, expecting. SHOT - BUS EN ROUTE. The bus winds around another turn in the beautiful green. SHOT - BUS EN ROUTE. Still another turn of the bus, and in the distance we see a. LONG SHOT of the Columbia Inn. COLUMBIA INN. MARTHA, a sixty year old spinsterish woman, good of heart. INN - (DAY). The bus comes to a stop and our principals get out, Phil. INN. Martha at the desk, and her eyes widen in surprise. You'll. excuse me, gentlemen, I'm on K. P. DINING ROOM INN - (NIGHT) - MED. CLOSE SHOT - . BETTY AND JUDY. They are doing the number, SISTERS, on the floor. CLOSE SHOT - BOB AND PHIL. They are admiring the performance. SNOT. The General is seating a table. SHOT - BOB AND PHIL. Bob shakes his head, unhappy at this condition. FULL SHOT - BETTY AND JUDY. They finish the number and are applauded enthusiastically. SHOT - GENERAL WAVERLY. He is the one doing the enthusiastic applauding. LOBBY - (NIGHT). The last of the supper audience is leaving. INN OFFICE. Phil is sitting on the desk while Bob talks. I didn't ask you how much. I don't care how much. You'll have to cancel us. Ed Harrison Show.. CLOSE SHOT - WAVERLY, BOB AND PHIL. Waverly is looking interestedly at the goings on, but is. They're pretty bored. New York. show's kind of a novelty in Vermont. INN FLOOR - (DAY). The company is rehearsing as Bob and Phil enter. Bob and Phil have gone toward Betty and Judy. The sunset is visible through the window and there. Want you to hear a. I just wrote. CLOSE SHOT - GENERAL WAVERLY. Unseen by the others he is standing by the door listening to. ROOM. The boys finish the number. Martha applauds and Bob bows. The song is. funny, but there is one thing wrong. INN FLOOR. Bob and Phil exchange a quick glance. INN FLOOR - (NIGHT). It is fairly- well filled. During the applause and bows, we CUT TO. MED. SHOT - WAVERLY TABLE. Waverly, flanked by Susan and Martha, is at a large table. INN FLOOR - (NIGHT). It is empty and most of the lights are out. GIRLS' BUNGALOW. Betty and Judy are in twin beds, the light is coming in from. Or should it be the. Judy turns. over and closes her. Music has underscored this scene. SHOT - (NIGHT). We PAN Betty to the refrigerator door, which she opens. SHOT - BETTY AND BOB. We see Bob is having a snack of his own. INN FLOOR - (DAY). Various members of the company are in rehearsal clothes and. Wallace - . (He is embarrassed to. BOB. Come on, out with it. SHOT - BOB, PHIL AND ALBERT. Phil puts his arm around Albert. CLOSE TWO SHOT - BOB AND PHIL. Bob dunks a doughnut into his coffee as he looks after Betty. FULL SHOT - ROOM. The dance music stops. CLOSE SHOT - AT PIANO. Harry, the piano player, is playing the last half of A MAN. CHASES A GIRL. SHOT - BOB. He is flabbergasted. SHOT - GROUP. Phil and Judy are separated by the congratulators. KITCHEN. Judy is crying into her hands as Betty enters. CLOSE SHOT - CORRIDOR OFF BUTLER'S PANTRY. In the background we see the General in the butler's pantry. CLOSE SHOT - BOB AND WAVERLY. Something bothers Bob about this story. LONG SHOT - TRAIN IN DISTANCE. Bob is in the foreground, the General in the background. They continue. dancing, talking as they do. PINE TREE POST OFFICE - FULL SHOT. Bob comes out of the Post Office and mounts a bicycle. SHOT - . (DAY). There is a group of elderly men, among them the hotel owners. Waverly is sitting on a bench, ruefully. SHOT - BOB AND WAVERLY. Bob sits into the shot. HOTEL ROOM - BOB AND PHIL. Bob is packing his valise, Phil helping him. Wallace - - gonna miss your train! CLOSE - (DAY). A poster outside advertises the appearance of Betty Stewart. SHOT - (DAY). A rehearsal is in progress in the deserted club. SHOT - (NIGHT). It is alive with customers; couples are dancing on the floor. CLOSE. Betty is standing at the microphone ready to sing. SHOT. as Bob watches her. COLUMBIA INN LOBBY - PHIL IN PHONE. BOOTH - (NIGHT). Phil is excited. TELEVISION STATION - (NIGHT). Ed is about to go on the air. LOBBY COLUMBIA INN. Seated around the television set are Waverly, Martha and. Susan. CLOSE SHOT - STAIRS. Waverly runs to the tangled Phil. TELEVISION STATION. The technician indicates for Ed Harrison to start as the. COLUMBIA INN OUTSIDE WAVERLY'S OFFICE. Waverly and Martha are helping Phil through the door. It's broken in two or three. TELEVISION STATION. ED. The objective is Pine Tree, Vermont - -- . Synchronize watches for Operation. Waverly.. OFFICE. Phil has his eyes closed. FULL SHOT - FORK IN ROAD. Two men, with M. P. LOBBY. Bob and Betty tiptoe through the entrance to the inn. If I wasn't such a. I'd probably break. BUNGALOW - NIGHT. As Bob and Betty turn around the corner, they see Phil and. Judy, locked in an embrace. Everything's under control. We've got a. lot of new material. GIRLS' BUNGALOW - NIGHT. Judy is getting into bed. I think I'll go out and. That ain't. Coolidge out on that porch. BOYS' BUNGALOW - MED SHOT. Bob stands on the porch, in robe and slippers, thoughtfully. Betty comes into scene. WAVERLY'S QUARTERS. The General is in his dressing gown, furious. Martha and. Susan are playing a part. MAKESHIFT DRESSING ROOM - BOB AND PHIL. They are getting into their old uniforms, which are slightly. SHOT - LOBBY STAIRWAY - (NIGHT). General Waverly comes down the stairs, cutting quite a figure. SHOT - WAVERLY. He is profoundly moved and walks to the stage. CLOSE SHOT - BOB AND PHIL. As they step to the front of the stage. CLOSE. Ed Harrison crosses to General Waverly and whispers to him. SHOT. The lobby is empty; in b. Yes, practically the. DINING ROOM - MOVING CAMERA. CAMERA FOLLOWS Waverly on his entrance. CLOSE. Martha and Susan are standing happily beside the General. VERMONT TOWN - EXTREME HIGH SHOT - (MINIATURE). A church bell is framed in the foreground, and, far in the. Inn and the snow as we. FADE OUT. THE END. A TUNA CHRISTMAS - Official Site. Hilarious holiday fun ensues in A TUNA CHRISTMAS, sequel to the hit comedy, Greater Tuna, starring Tony Award- nominated Joe Sears and Jaston Williams. Master comedians Sears and Williams, with their deft comedic timing, trademark characterizations and split- second costume changes, portray all 2. Tuna, the third smallest town in Texas, where the Lion's Club is too liberal and Patsy Cline never dies! Nickelback - Here And Now 2011.rar.rar. Size 94 MB; Add into Favourite; Quick download; 0. Geoffrey Keezer - Here And Now.rar.rar. Size 103 MB; Add into Favourite; Quick download; 0.Nickelback- 2. 01. Here And Now. rar. Category. Category. Choose a category. Animals, Pets. Cars & Motorcycles. Commercials. For kids. Games, Fun, Jokes. How to, manuals. Music, Clips. Nature, Travels. News, Politics. Other stuff. PC games. People, blogs. Science, Pc, Apps. Sport. Trailers. Language: Choose a language. Czech. Slovak. Arabian. Bulgarian. Chinese. Dannish. English. Finnish. French. German. 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Robot Check. Enter the characters you see below. Sorry, we just need to make sure you're not a robot. For best results, please make sure your browser is accepting cookies. Electronic text of Pride and Prejudice at The Republic of Pemberley, the largest and most comprehensive Jane Austen site on the Internet. Pride and Prejudice Index. Pride and Prejudice is a novel by Jane Austen, first published in 1813. The story follows the main character Elizabeth Bennet as she deals with issues of manners. Jane Austen’s importance lies both inside and outside the university. In Unit 2 you will need to view several films adaptations of Pride and Prejudice. PDF (eng) 1.4MB: 99756: download: back to Pride and Prejudice » Pride and Prejudice by Jane Austen. Pride and PrejudiceStudy Guide 9 Meet Jane Austen J. PDF (eng) 1.4MB: 99971: download: back to Pride and Prejudice »Also tracks unscheduled maintenance, unexpected maintenance and As-Needed maintenance. Annual vehicle inspection dates are easily scheduled and tracked. Buy Evaluating Vehicle Emissions Inspection and Maintenance Programs on Amazon.com FREE SHIPPING on qualified orders. Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Treasure Valley Vehicle Inspection and Maintenance Programs 2010–2011 Annual Review State of Idaho Department of Environmental Quality. Vehicle I/M Programs: 2010–2011 Annual Review 1 Background In April 2008, the Idaho Legislature enacted and the. TRAINING BULLETIN TOPIC: Preventive Maintenance Vehicle Inspection Program EFFECTIVE DATE: 05/06 DOC NO: TB063 CROSS REF: AUTHOR: Page 1 of 8 REVIEWED: Craig Bowen, Fire Chief APPROVED: Craig Bowen, Fire Chief ORIGIN DATE: 11. This Environmental Code of Practice for On-Road Heavy-Duty Vehicle Emission Inspection and Maintenance Programs provides guidance to provincial, regional, and municipal transportation and environmental regulatory agencies regarding on-road heavy-duty. Because it is UNCORRECTED material, please consider the following text as a useful but insufficient proxy for the authoritative book pages. Evaluating Vehicle Emissions. Maintenance Programs. Committee on Vehicle Emission. Inspection and Maintenance Programs. Board on Environmental Studies and Toxicology. Division on Earth and Life Studies. Transportation Research Board. National Research Council. NATIONAL ACADEMY PRESS. Washington, D. C. NOTICE: The project that is the subject of this report was approved by the Governing. Board of the National Research Council, whose members are drawn from the councils. National Academy of Sciences, the National Academy of Engineering, and the. Institute of Medicine. The members of the committee responsible for the report were. Environmental Protection Agency. Any. opinions, findings, conclusions, or recommendations expressed in this publication are. Upon the authority of the. Congress in 1. 86. Academy has a mandate that requires it to. Alberts is. president of the National Academy of Sciences. It is. autonomous in its administration and in the selection of its members, sharing with the National. Academy of Sciences the responsibility for advising the federal government. The National. Academy of Engineering also sponsors engineering programs aimed at meeting national needs. Wulf is president of the National Academy of Engineering. The Institute acts under the responsibility given. National Academy of Sciences by its congressional charter to be an adviser to the federal. Shine is president of the Institute of Medicine. Functioning in accordance with. Academy, the Council has become the principal operating. National Academy of Sciences and the National Academy of Engineering in. Wulf are chairman and vice chairman, respectively, of the. National Research Council. CICERONE f. Chair), University of Califomia, Irvine, Califomia. DAVID T. ALLEN (Vice Chair. University of Texas at Austin, Austin, Texas. MATTHEW J. BARTH, University of Califomia, Riverside, Califomia. HUGH ELLIS, Johns Hopkins University, Baltimore, Maryland. GERALD GALLAGHER, J Gallagher and Associates, Inc., Englewood, Colorado. DEBORAH GORDON, Transportation Consultant, Los Angeles, California. ROBERT HARLEY, University of Califomia, Berkeley, California. HAROLD HASKEW, Harold Haskew and Associates, Inc., Milford, Michigan. DOUGLAS R. LAWSON, National Renewable Energy Laboratory, Golden, Colorado. VIRGINIA MCCONNEEE, Resources for the Future, Washington, D. C. POLLACK, ENVIRON International Corporation, Novato, Califomia. ROBERT SLOTT, Massachusetts Institute of Technology, Cambridge. K. JOHN HOLMES, Senior Staff Officer. RAYMOND WASSEL, Senior Program Director for Environmental Sciences and. CROSSGROVE, Editor. MIRSADA KARALIC- LONCAREVIC, Information Specialist. RAMYA CHARI, Project Assistant. PAMELA FRIEDMAN, Project Assistant. U. S. ENVIRONMENTAL PROTECTION AGENCY. BOARD ON ENVIRONMENTAL STUDIES AND TOXICOLOGY. GORDON ORIANS (Chair. University of Washington, Seattle, Washington. JOHN Douse (Vice Chair. University of Kansas Medical Center, Kansas City. DAVID ALLEN, University of Texas, Austin, Texas. INGRID C. BURKE, Colorado State University, Fort Collins, Colorado. THOMAS BURKE, Johns Hopkins University, Baltimore, Maryland. WIELIAM L. CHAMEIDES, Georgia Institute of Technology, Atlanta, Georgia. CHRISTOPHER B. FIELD, Carnegie Institute of Washington, Stanford, California. J. PAUL OILMAN, Celera Genomics, Rockville, Maryland. DANIEL S. GREENBAUM, Health Effects Institute, Cambridge, Massachusetts. BRUCE D. HAMMOCK, University of California, Davis, California. ROGENE HENDERSON, Lovelace Respiratory Research Institute, Albuquerque, New. CAROL HENRY, American Chemistry Council, Arlington, Virginia. ROBERT HUGGETT, Michigan State University, East Lansing, Michigan. JAMES H. JOHNSON, Howard University, Washington, D. C. KITCHELL, University of Wisconsin, Madison, Wisconsin. DANIEL KREWSKI, University of Ottawa, Ottawa, Ontario. JAMES A. MACMAHON, Utah State University, Logan, Utah. WILLEM F. PASSCHIER, Health Council of the Netherlands, The Hague. ANN POWERS, Pace University School of Law, White Plains, New York. LOUISE M. RYAN, Harvard University, Boston, Massachusetts. KIRK SMITH, University of California, Berkeley, California. LISA SPEER, Natural Resources Defense Council, New York, New York. JAMES J. REISA, Director. DAVID J. POLICANSKY, Associate Director and Senior Program Director for Applied. RAYMOND A. WASSEL, Senior Program Director for Environmental Sciences and. WEDGE, Program Director for Risk Analysis. K. JOHN HOLMES, Senior Staff Officer. RUTH E. CROSSGROVE, Managing Editor. TRANSPORTATION RESEARCH BOARD. EXECUTIVE COMMITTEE. JOHN M. SAMUELS (Chair), Norfolk Southern Corporation, Norfolk, Virginia. THOMAS R. WARNE ~ Vice Chair), Utah Department of Transportation, Salt Lake. ROBERT E. ANKNER, Rhode Island Dept. BARRY, JR., Florida Department of Transportation, Tallahassee, Florida. JACK E. BUFFINGTON, University of Arkansas, Fayetteville, Arkansas. SARAH C. CAMPBELL, Trans. Management, Inc., Washington, D. C. DEAN CARLSON, Kansas Department of Transportation, Topeka, Kansas. JOANNE CASEY, Intermodal Association of North Amenca, Greenbelt, Maryland. JAMES C. CODELL III, Kentucky Transportation Cabinet, Frankfort, Kentucky. JOHN L. CRAIG, Nebraska Depot lenient of Roads, Lincoln, Nebraska. ROBERT A. FROSCH, Harvard University, Cambridge, Massachusetts. GORMAN GILBERT, Oklahoma State University, Stillwater, Oklahoma. GENEVIEVE GIULIANO, University of Southern California, Los Angeles, California. LESTER A. HOEL, University of Virginia, Charlottesville, Virginia. H. THOMAS KORNEGAY, Port of Houston Authority, Houston, Texas. BRADLEY L. MALLORY, Pennsylvania Department of Transportation, Harrisburg. MICHAEL D. MEYER, Georgia Institute of Technology, Atlanta, Georgia. JEFF P. MORALES, California Department of Transportation, Sacramento, California. JEFFREY R. MORELAND, Burlington Northern Santa Fe Railway, Fort Worth, Texas. JOHN P. POORMAN, Capital District Transportation Committee, Albany, New York. CATHERINE L. ROSS, Georgia Regional Transportation Agency, Atlanta, Georgia. WAYNE SHACKELFORD, Gresham Smith & Partners, Alpharetta, Georgia. PAUL P. SKOUTELAS, Port Authority of Allegheny County, Pittsburgh. MICHAEL S. TOWNES, Transportation District Commission of Hampton Roads. Hampton, Virginia. MARTIN WACHS, University of California, Berkeley, California. MICHAEL W. WICKHAM, Roadway Express, Inc., Akron, Ohio. JAMES A. WILDING, Metropolitan Washington Airports Authority, Washington. D. C. GORDON WOLMAN, The Johns Hopkins University, Baltimore, Maryland. Environmental Protection Agency: Research- . Management and Peer- Review Practices (2. Scientific Frontiers in Developmental Toxicology and Risk Assessment (2. Modeling Mobile- Source Emissions (2. Toxicological Risks of Selected Flame- Retardant Chemicals (2. Copper in Drinking Water (2. Ecological Indicators for the Nation (2. Waste Incineration and Public Health (1. Hormonally Active Agents in the Environment (1. Research Priorities for Airborne Particulate Matter: I. Immediate Priorities and a. Long- Range Research Portfolio (1. II. Evaluating Research Progress and. Updating the Portfolio (1. III. Early Research Progress (2. Ozone- Forming Potential of Reformulated Gasoline (1. Risk- Based Waste Classification in California (1. Arsenic in Drinking Water (1. Brucellosis in the Greater Yellowstone Area (1. The National Research Council's Committee on Toxicology: The First 5. Years. Carcinogens and Anticarcinogens in the Human Diet (1. Upstream: Salmon and Society in the Pacific Northwest (1. Science and the Endangered Species Act (1. Wetlands: Characteristics and Boundaries (1. Biologic Markers (5 reports, 1. Review of EPA's Environmental Monitoring and Assessment Program (3 reports. Science and Judgment in Risk Assessment (1. Ranking Hazardous Waste Sites for Remedial Action (1. Pesticides in the Diets of Infants and Children (1. Setting Priorities for Land Conservation (1. Protecting Visibility in National Parks and Wilderness Areas (1. Dolphins and the Tuna Industry (1. Science and the National Parks (1. Assessment of the U. S. Outer Continental Shelf Environmental Studies Program. Volumes I- IV (1. Human Exposure Assessment for Airborne Pollutants (1. The purpose of this. The review comments and draft. We wish to thank the following individuals for their review of this. Thomas Austin, Sierra Research, Inc. Nichols, Ford Motor Company (retired). Robert Sawyer, University of California, Berkeley. Schwartz, Reason Public Policy Institute. Donald H. Stedman, University of Denver. Although the reviewers listed above have provided many constructive. The review of this report was overseen by Thomas Graedel, Yale. University, and Richard Goody, Harvard University. Appointed by the. National Research Council, they were responsible for making certain that an. Responsibility for the final content ofthis report rests entirely with. In response, vehicle emissions standards. Vehicle emissions inspection and maintenance (~/M) programs. T systems developed in response to these more stringent. Because of I/M's role in reducing emissions. Congress requested. National Academy of Sciences to review these programs. The National. Research Council's (NRC) Committee on Vehicle Emission Inspection and. Maintenance Programs was formed in response to that request. Specifically. the committee was charged with assessing the effectiveness of I/M programs. David Amlin. California Bureau of Automotive Repair; Thomas Austin, Sierra Research. Inc.; Thomas Cackette, California Air Resources Board; Lee Cook, EPA. Office of Transportation and Air Quality; Paul Jacobs, California Air Re- . Board; Scott Lee, EPA Office of Transportation and Air Quality. Lindner, EPA Office of Transportation and Air Quality; Michael. Rodgers, Georgia institute of Technology; Robert Sawyer, University of. California, Berkeley; Hue. John Holmes in his role as project. The committee also acknowledges Raymond Wassel, senior program. Board on Environ- . Studies and Toxicology. Free Flash Cs3 Website TemplatesCreate Photoshop Templates For Photo Effects. Written by Steve Patterson. Smart Objects were first introduced in Photoshop CS2, and Photoshop CS3 takes them even further with Smart Filters. Both of these recent additions to Photoshop have the potential to completely change how you work inside the program, since they give you an amazing level of flexibility that simply doesn't exist without them. To get the most from this tutorial, you'll need to have Photoshop CS3, since it's the only version of Photoshop (so far anyway) that comes with Smart Filters, although you can still do quite a bit simply with Photoshop CS2 and Smart Objects. Of course, you can still read through the tutorial even if you have an older version of Photoshop, if only to see what sort of features you'll be getting if and when you decide to upgrade. A collection of website templates / wordpress themes / woocommerce themes / drupal themes / shopping cart templates / powerpoint themes. A collection of inks to Photoshop CS3 tutorials, including free Photoshop CS3 video tutorials. Buy flash game template with to make flash games yourself for online playing on website or offline playing on PC directly. The flash game templates (.FLA) with actionscript will be emailed to you once the order is processed. Dreamweaver Tutorial: How to Add a Navigation Menu Bar to Your Website in Dreamweaver CS3 (Part 4) by Christopher Heng, thesitewizard.com. In the previous chapter of this Dreamweaver tutorial, we added a simple. Provides editable source code files of interactive Flash Maps. Including maps for U.S., Canada, Europe, Asia, Africa and World Maps. Photoshop Cs3 Website TemplatesWhat are Smart Objects and Smart Filters? If you've ever used a page layout program before, you'll be familiar with how Smart Objects work. When you convert an image into a Smart Object in Photoshop, you're no longer working on the image itself, even though it still looks like you are. Instead, you're working on a reference to the image, with the actual image stored safely in a separate file that Photoshop creates. The Smart Object is basically a container that displays the reference to the actual image. This is what allows us to create templates from Photoshop documents that use Smart Objects, since when we're done creating our effect with the original image, we can tell Photoshop to simply replace the image inside the Smart Object container with a different image, or more precisely, we tell Photoshop to reference a different image, and just like that, Photoshop swaps one image with another and the entire effect is instantly recreated using the new image, without having to redo any of the work! So what are Smart Filters then? Essentially, they're the same as Photoshop's regular filters that we find under the Filter menu in the Options Bar. In fact, they're exactly the same. The only difference, as we'll see, is that when you apply a filter to a Smart Object, Photoshop converts it into a ! Normally, when you apply one of Photoshop's filters to an image, the image itself is physically altered by the filter, and if you want to change the filter settings, you'd have to undo your steps all the way back to just before you applied the filter (assuming you haven't run out of History states) and then apply it again with the new settings. Not so with Smart Filters! With a Smart Filter, you can go back at any time, change the settings in the filter's dialog box, and have the new settings applied to the image instantly without damaging or even touching the image in any way. If you're familiar with how Adjustment Layers work in Photoshop, Smart Filters work essentially the same way. As I mentioned, ideally you'll have Photoshop CS3 for this tutorial, but there's still plenty of things you can do when creating photo. Photoshop CS2 and Smart Objects. In fact, the only thing you can't do with Photoshop CS2 is apply a filter to a Smart Object, at least not if you still want to be able to use the effect as a photo template. A couple of things to point out before we begin. First, even though we'll be creating a simple photo effect here, one that works very well with wedding photography, the effect itself is not the focus of this tutorial, although you're certainly free to recreate the same effect if you choose. The purpose of this Photoshop tutorial is to show you how to go about creating an effect using Smart Objects and Smart Filters so that you can then apply the knowledge to your own photo template creations. Second, in order to use a different photo with the template, it's important that the new photo matches the original in terms of image size, orientation, and resolution. If the original photo used was an 8x. If you're simply using photos you took yourself with the same digital camera and haven't resized or cropped them, then all you'll need to make sure of it that you don't try to replace a photo in portrait orientation (taller than it is wide) with one in landscape orientation (wider than it is tall). If you need more information on image resolution and document sizes, be sure to visit our Digital Photo Essentials section of the website. Let's get started! Step 1: Open The First Image You Want To Use. Before we can use our photo. Here's the photo I'll be starting with: The original image. With my image now open in Photoshop, if I look in my Layers palette, everything seems normal. I have one layer, the Background layer, which contains my image: Photoshop's Layers palette showing the original image on the Background layer. We're going to convert the image into a Smart Object next! Step 2: Convert The Image Into A Smart Object. Here's where things get a little different than if we were simply creating this effect once with no intention of using it again with other images. To be able to use this Photoshop document as a template, we need to convert our image into a Smart Object, which, as I mentioned on the previous page, will mean we'll no longer be working on the image itself. Instead, we'll be working on a reference to the image. The actual image will be safely stored in a separate file, untouched and unharmed by whatever crazy things we do next. To convert the image into a Smart Object, go up to the Layer menu at the top of the screen, choose Smart Objects, and then, in Photoshop CS3, choose Convert to Smart Object, or if you're using Photoshop CS2, choose Group into New Smart Object. Nothing will seem to have happened to your image, but if we look in the Layers palette again, we can see a few changes with the Background layer. For one thing, it's no longer named . Photoshop has renamed it . More importantly though, if we look closely at the layer's preview thumbnail, we can see that it now has a white highlight box around it, along with an icon in its bottom right corner. That icon is telling us that the image has now been converted into a Smart Object: Photoshop's Layers palette showing the image on the Background layer now converted into a Smart Object. Step 3: Duplicate The Layer. Now that our image has been converted into a Smart Object, let's duplicate it. Duplicating a Smart Object is no different from duplicating a normal layer, and the easiest way to do it is with the keyboard shortcut Ctrl+J (Win) / Command+J (Mac). If we look again in the Layers palette, we can see that we now have two layers, the original . It's important to note here that even though we've duplicated the Smart Object, we don't really have two separate Smart Objects. Both of them are referencing the exact same photo, which means that when we replace the original image with a different image, as we'll do at the end of the tutorial, both layers will then show the same new photo. If we were to create 3, or 5, or 1. Smart Object and then replace the image, since they're all copies of the exact same Smart Object, they would all show the new photo! Step 4: Resize And Reposition The Image On The New Layer With Free Transform. Let's move and resize the image on our newly created copy layer. Again, there's no difference between moving and resizing a Smart Object and a normal layer. Press Ctrl+T (Win) / Command+T (Mac) to bring up Photoshop's Free Transform box and handles around the image on the new layer. Then hold down Shift+Alt (Win) / Shift+Option (Mac) and drag any of the four corner handles inward to resize the image until it's about 6. I'm also going to move the image down a bit by clicking anywhere inside of the Free Transform box (except for on the small target icon in the center) and simply dragging the image down with my mouse. As I drag, I'm going to hold Shift which will force the image to move down in a straight line, preventing me from accidentally moving it left or right: Drag the image down a little by holding . Press Enter (Win) / Return (Mac) when you're done to accept the transformation and exit out of Free Transform. Step 5: Add A Stroke To The Resized Image. As we've seen so far, working with Smart Objects isn't much different from working with normal layers, and the same is true even when adding Layer Styles. Click on the Layer Styles icon at the bottom of the Layers palette (in Photoshop CS2 it looks like a circle with an . This brings up Photoshop's Layer Style dialog box set to the Stroke options in the middle column. Change the Size of the stroke to 1 px and the Position to Inside, then click on the red color swatch to the right of the word . Click OK to exit out of the Color Picker, but don't exit out of the Layer Style dialog box just yet. We have a couple more layer styles to add first, which we'll do next. Step 6: Add A Drop Shadow. Click directly on the words Drop Shadow on the left of the Layer Style dialog box: Click directly on the words . This changes the options in middle column of the Layer Style dialog box to the Drop Shadow options. Lower the Opacity of the Drop Shadow to around 4. Set the Distance to 0px, leave the Spread set to 0%, then increase the Size to around 4. Change the Drop Shadow options circled in red above. Step 7: Add An Inner Glow. Click directly on the words Inner Glow on the left of the Layer Style dialog box: Click directly on the words . This changes the options in middle column of the Layer Style dialog box to the Inner Glow options. Lower the Opacity of the Inner Glow to around 4. Click on the yellow color swatch directly below the word . Click OK to exit out of the Color Picker, then set the Size of the glow to around 4. Again you may want to experiment with a higher Size value if you're using a high resolution image: Change the Inner Glow options circled in red above. When you're done, click OK in the top right corner of the Layer Style dialog box to exit out of it. Here's my image after applying all three Layer Styles: The image after applying the Layer Styles. Adobe Illustrator Tutorials, Illustrator CS4 Tutorials, Vector Graphics Software Programs, Articles, Vector Images, Illustrator Brushes, Symbols, Web Graphics, Plug- ins, Plugins, Filters, CS3. Adobe Illustrator Tutorials, Articles, Books, Software The Adobe Illustrator section provides annotated links to helpful, top quality, reliable Illustrator tutorials, vector graphics tutorials, tips, and more for Illustrator CS4, CS3, and more. Illustrator tutorials are for all levels, from newbies to advanced Illustrator users and cover how to use features within Illustrator (such as the Text Tool, Live Trace, the Pen Tool, Brushes, Mesh Tool), and how to create various effects with Illustrator, such as swirls, curls, swooshes, ribbons, and how to create vector graphic icons or navigation buttons and tabs, how to integrate Photoshop CS4 and Illustrator CS4 using Vector Smart Objects, and much more. You'll also find Adobe Illustrator CS4 book recommendations and Illustrator CS4 training videos below. Be sure to check out our other pages on Adobe Illustrator: Adobe Illustrator Brushes, Adobe Illustrator Symbols, and Adobe Illustrator Discussion Lists, Forums, Blogs, Sites, and Adobe Illustrator Reviews, Documentation, Tech. Notes, Help. Do you know of some good articles, tutorials, books, or resources related to Adobe Illustrator, vector graphics, brushes, symbols, shapes, gradients, Web graphics, or graphics programs? Recommendations are welcome and appreciated! On this page: Articles and Tutorials on Adobe Illustrator. Adobe Illustrator Techniques, General Tutorials. Adobe Illustrator Drawing, Illustration Tutorials. Adobe Illustrator Effects Tutorials. Adobe Illustrator Gradients, Gradient Mesh Tool, Working with Gradients Tutorials. Adobe Illustrator Live Trace, Pen Tool, Tracing, Vectorizing Tutorials. Adobe Illustrator Text Tool, Working with Text Tutorials. Adobe Illustrator Techniques and Tutorials for Print, Print Production. Create Curls, Swirls, Swooshes, Ribbons, and Other Shapes with Adobe Illustrator. Create Custom Brushes for Adobe Illustrator. Create Custom Patterns for Adobe Illustrator. Create Custom Symbols for Adobe Illustrator. Create Graphic Buttons or Tabs with Adobe Illustrator. Create Graphic Icons with Adobe Illustrator. Recommended Books on Adobe Illustrator, Illustrator Software. Also within Adobe Illustrator Tutorials, Articles, Resources, Books, Software (7 pages): Adobe Illustrator Reviews, Documentation, Technotes, Bug Fixes. Adobe Illustrator Brushes. Adobe Illustrator Plugins. Adobe Illustrator Swatches, Patterns Swatches. Adobe Illustrator Symbols, Symbol Libraries. Adobe Illustrator Discussion Lists, Forums, Sites, Blogs, Resources. Also within Graphics Software, Tutorials(2. Adobe Fireworks Tutorials, Articles, Extensions, Discussion Lists, Resources, Books. Adobe Flash Tutorials, Articles, Resources, Discussion Lists, Books, Software. Adobe Photoshop Tutorials, Articles, Actions, Brushes, Forums, Resources, Books, Software(8 pages)Adobe Photoshop Lightroom Tutorials, Product Information, Sites, Blogs, Resources, Books, and Software. Corel. DRAW Tutorials, Articles, Resources, Books. Corel Paint Shop Pro Tutorials, Articles, Resources, Books. Swish, Other Animation / Multimedia Graphics Software Tutorials, Resources. Icon Creation and Editing Software and Plugins, and Related Tutorials. Freehand, Other Graphics Software, and Related Tutorials, Articles, Resources. The Adobe Illustrator tutorials below are listed by their primary techniques used; however, many of them cover more than one technique, so be sure to check out other Illustrator tutorial topics/categories here, too. What Illustrator tutorial topics would you like to see here? Did you find what you were looking for? Website. Tips. com appreciates and welcomes suggestions and recommendations. Adobe Illustrator Techniques, General Tutorials Adobe Illustrator CS3 Keyboard Shortcuts for Windows. Helpful chart of keyboard shortcuts for Illustrator CS3. Covers EPS file compatibility, what to look out for, what works and what doesn't work between Freehand and Illustrator, gradients, gradient mesh, transparency, vector shapes, custom fills and strokes, complex paths, Post. Script Level 3. 0, how to ensure AI8 compatibility, and much more. See also i. Stockphoto - Stock Illustration Training Manual for even more details overall - helpful in general, not just for i. Stockphoto. Also explains what the Align functions do in Illustrator and how they differ between CS2 and CS3. Helpful insight and info here, including screenshots. Read online or download printable PDF version. Includes: introduction, creating a blend, editing a blend, releasing and expanding blends. The two free Illustrator plugins for Windows and Mac: Select Menu Plugin by Graffix and Close Points script by Pictrix. Especially helpful if you contribute to stock vector sites that require closed paths on submitted vector artwork. Part of thread, “Non- Illustrator person is working in Illustrator to trim vectors! Help I am VERY Lost.” Great info, especially for those new to Illustrator or used to working in Photoshop. In addition, double- click on the Eraser Tool icon in the Tools panel for its Options dialog box (like many tools in the Tools panel). You'll find the Path Eraser tool within the Pencil Tool menu in the Tools panel. Instead of a regular brush stroke, painting with the blog brush gives you a filled, compound path. Any new shape painted with the same color and stroke will automatically merge with existing shapes with the same settings. The new tool will pick up style attributes from other objects and has numerous other options to explore and play around with.” . There's a new reverse gradient button, and gradient widgets that allow users to edit applied gradients visually. There are also new transparency options. Cheryl Graham explores these new features and takes viewers through a quick design project, creating the ringed planet of Saturn.” . Covers: Hanging Indents, Placing Multiple Files, Custom Views. You've come to the right place!” . Nick's article explains what it is and how to find it in Illustrator CS3. Great tips on how helpful they can be, too! View online, download to your computer, or view via podcast. By doing so, you can retain the vector aspects of these layers to easily resize without any quality loss while also having the additional features and effects of Photoshop. Great video tutorial, easy to follow and then implement yourself. Related at Website. Tips. com: Adobe Photoshop Tutorials. Not just an outline - you want details too so that you actually see the leaves.. This would be one of the many situations where the Symbol Spraying Tool can be of assistance.” . Crop to save for the Web, to print, to PDF, etc., and you can now create and use multiple crop areas within the same document. Download the accompanying source file used in the tutorial, too. Prefer to read the HTML version? See Using the Crop Tool in Illustrator CS3 to Define Areas for Print or Export (Text, read online). See also Adobe's Create, Edit, and Delete Crop Areas via Adobe Illustrator Live. Docs that includes how to define a single crop area, define and use multiple crop areas, delete a crop area, and how to edit, or move a crop area. Techniques here will help with creating anything in Illustrator, not just these icon images. Follow along and you'll learn a whole lot of helpful tips and techniques with Illustrator. With a bit of creative thinking and some simple aligning in combination with Pathfinder's powerful tools you might just achieve the perfect drawing in no time. Here is another Illustrator tutorial where I show you to draw a simple icon without the use of the Pen tool.” Editor note: I created the sample to the right to test this tutorial - it's indeed easy to follow. Applies to using any vector software, not just Adobe Illustrator. Although written with what to keep in mind for submitting vector images to i. Stockphoto, this article is truly a helpful guideline on many of the details that turn an ordinary image into a high quality professional vector illustration. Abstract Background Easy to follow tutorial with helpful tips on how to use Illustrator's Blend tool in some creative ways to make a wavy line effect, blend colors, and more, while creating an interesting vector graphic background. Very cool and simple!” For Illustrator 9+. Editor note: I created the sample to the right to test this tutorial - it's indeed easy to follow. Great tutorial especially for those new to Illustrator. Plenty of screenshot examples all along the way. And once you master this technique, it can be easily adapted for many different uses.” . Also uses the type path tool. Helpful tips throughout, too. Especially helpful with using Illustrator's Pucker and Bloat effects, Roughen effect, and Tweak effect. This tutorial does not use the Pen tool at all and instead uses pentagon shapes and a circle, combined with using the Pucker and Bloat effects, Roughen effect, Tweak effect, and gradient tool to create a flower. This tutorial provides a fun way to get familiar with those tools, in addition to learning how to create this unique flower. Editor note: I created the flower to the right to test this tutorial. So easy to follow along and create this flower. It's just a matter of drawing a line and using Illustrator's 3. D tool to render the vase - Illustrator creates the 3. D version based on that single line. Good introductory tutorial for trying out 3. D rendering in Illustrator. Editor note: I created the vases to the right to test this tutorial. Easy to follow and took less than 5 minutes to create using these instructions. The semantics of program slicing and program integration. In Proceedings of the Colloquium on Current Issues in Programming Languages, (Barcelona, Spain, March 13-17, 1989). The Wisconsin Program- Slicing Tool, Version 1. Last updated. Tue Nov 1. CST 2. 00. 0. The Wisconsin Program- Slicing Tool is a software system that supports. C programs, including backward slicing, forward slicing. In addition, the following features can cause erroneous slices to be. These files contain two kinds of information. The concordance between source text and program components (i. SDG), which allows interaction between the user and. Slicing Tool, for example, to define the slice criteria and to. Zelkowitz (ed.), Academic Press, San Diego, CA, 1. SE- 1. 0, 4 (July 1. CERIAS - Center for Education and Research in Information Assurance and Security. A Survey of Program Slicing Techniques Frank Tip CWI, P.O. Box 94079, 1090 GB Amsterdam, The Netherlands [email protected] Abstract A program slice consists of the parts of a program that (potentially) affect the values computedat. A program slice consists of the parts of a program that (potentially) affect the values computed at some point of interest, referred to as a slicing criterion. The task of computing program slices is called program slicing. On the adequacy of program dependence graphs forrepresenting programs. In Proceedings of the SIGPLAN 88 Symposium on the Principlesof Programming Languages, January 1988.#5B42#5D S.
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